The universal success of The God of Small Things and the exuberant outburst of Salman Rushdie on ‘regional’ Indian writing call for a dispassionate approach to the genesis of Indo-English writing, nay, all Indian writing. Let us first propitiate the ‘God of Small Things’ before we turn our attention to the ‘Satan of Verses’As Arundhati Roy’s success is of historical magnitude, it would be in order to follow the Gibbonian track to seek its causes. To this enquiry an obvious but satisfactory answer may be returned|: that it was owing to the newness of ‘The God of Small things’, exemplifies by the peculiar and pixilated use of the language to weave a sensuous story in a sinuso...